Woke Disney’s live-action remake of Snow White, released on March 19, has already ended its box office run by late April, cementing its place as one of Hollywood’s biggest flops.

The movie is proving to be a colossal misstep for the studio, as the film continues its dismal performance at the global box office.

With a staggering production budget of $250-270 million, plus an estimated $140 million in marketing and distribution costs, the film needs to gross at least $427 million worldwide just to break even.

As of now, the film has grossed approximately $195.2 million worldwide. Industry analyses suggest that, to break even, Snow White would need to generate at least $427.8 million in global box office revenue, considering the typical revenue splits between studios and theaters, according to Forbes.

Given its current earnings, Snow White is projected to result in a financial loss of around $115 million for Disney, according to the New York Post.

However, with reports suggesting the final production costs may have escalated to $350 million due to reshoots and unforeseen expenses, the break-even point could be even higher, potentially requiring up to $700 million in global box office revenue.

Disney’s woke remake of the children’s classic “Snow White” had a horrific opening weekend in March at theaters in the US and abroad.

In its opening weekend, “Snow White” garnered approximately $43 million in domestic ticket sales, with an additional $44 million from international markets, totaling around $87 million globally.

The film was marred by controversies, mainly related to far-left actress Rachel Zegler.

Even Jonah Platt — son of the film’s own producer, Marc Platt — blasted lead actress Rachel Zegler on social media, blaming her for dragging down the film with her “immature” and “narcissistic” behavior during the press tour.

Ziegler, a complete narcissist and angry woke mess, sparked controversy for dismissing the 1937 classic by calling Prince Charming a “stalker” and “weird” and promising a feminist overhaul in which Snow White dreams of becoming a “leader” rather than falling in love.

Its first weekend was bad, but Snow White’s second weekend was a nightmare!

Snow White, during in its second weekend out, sold fewer tickets than “A Working Man” and “The Chosen: Last Supper.”

According to Box Office Mojo, Snow White placed third behind the story of the Last Supper with Jesus Christ on a Friday night. The Chosen had $5,103,354 in ticket sales, while Snow White had $3,700,000 in ticket sales.