Disneyland performers unionizing usually work different gigs in motion pictures and TV or at rivals like Common Studios

In contrast to the experiences of his friends at Disney’s parks in Orlando, Florida, the place there’s a a lot smaller expertise pool, the performers who play Mickey Mouse, Goofy and different beloved Disney characters on the California parks aren’t at all times supplied a constant work schedule by the corporate.

It’s among the many causes the California performers are organizing to be represented by a union now, greater than 4 a long time after their Florida counterparts did so.

Whereas Disney asks character performers to be accessible to work at any time, that demand isn’t at all times rewarded with scheduled work hours, the California performers mentioned.

“A lot of performers get the sense that if they don’t give their full availability, we won’t be in shows … and that will impact other jobs we need to sustain a living in this area,” mentioned Elefante, who lives in Santa Ana, California.

Earlier this month, the California character performers and the union organizing them, Actors’ Fairness Affiliation, mentioned they had filed a petition for union recognition.

It’s a special period and a special union doing the organizing this time round, so the California character and parade performers possible will keep away from some of the bad blood that the Disney performers in Florida have skilled with their union, the Worldwide Brotherhood of Teamsters.

It has been a rocky four-decade marriage in Florida between the performers who put the “magic” within the Magic Kingdom and the Teamsters, a union traditionally shaped for transportation and warehouse staff which had deep ties to organized crime till the late Nineteen Eighties.

Why now for the California character performers, so many a long time after their Florida counterparts organized? In contrast to in Florida the place performing as a personality usually is a full-time job, most of the character performers in Southern California have a number of different gigs, usually in Hollywood motion pictures and TV.

Elefante performs at rival Universal Studios Hollywood and works as a tour information for the film studios. Along with performing within the “Fantasmic!” present at Disneyland, Chase Thomas works because the director of operations for a theater pageant and beforehand has had jobs as a visible results coordinator and leisure licensing agent.

Angela Nichols moved to California to be a TV author and infrequently works as a author along with her job as an leisure host at Disneyland, the place she assists the character performers after they’re interacting with company.

“Disney really is a cornerstone of the stories we grow up with in our culture. Being able to watch people immersed in these stories and live it out is magical,” Nichols mentioned. “And when we’re being supported as cast members and performers, we’re able to make that happen. We’re just not being set up for success in the way we need to be at this time.”

When a lot of their Hollywood gigs dried up due to the COVID-19 pandemic, and the latest actors’ and writers’ strikes, the character performers needed extra constant scheduling at Disneyland as soon as it reopened after a yearlong, pandemic-related closure. The pandemic additionally made them extra alert to well being and security considerations regarding issues like hugging company or having sanitary costumes.

A lot of the greater than 35,000 staff on the Disneyland Resort in Southern California already have been unionized, and the parades and character division members have been among the many holdovers.

“A lot of cast members want to do this fulltime and make it work,” Thomas mentioned.

In contrast to their Florida counterparts, the character performers in California are being organized by a union dedicated to performers. As such, Actors’ Fairness Affiliation officers perceive the distinctive wants of the theme park performers in ways in which could be troublesome for different unions to understand.

When there’s a new stage present, the footwear of the costumes have to be examined to ensure the performers gained’t journey or slip on stage. Union representatives be certain that “face performers,” whose faces are seen, equivalent to Cinderella, have the correct make-up and double test that parade dancers have ice packs accessible to nurse sore knees.

Unclean costumes are a perennial drawback, and it was a prime purpose for the Florida performers wanting to prepare with the Teamsters within the early Nineteen Eighties. The opposite causes included youngsters kicking Disney villains like Captain Hook within the shins and adults grabbing on the chests of performers taking part in Mickey Mouse to see if there was a person or lady beneath.

Clear costumes have been so essential to the Florida character performers that greater than 20 years in the past the Teamsters succesfully inserted a contract clause to assign particular person undergarments that the performers may take house to clean after pubic lice and scabies have been shared through the clothes.

There at all times existed a tradition conflict in Florida between the costumed character performers and the normal Teamsters union leaders of truck drivers and warehouse staff. The drivers usually considered the performers as dwelling charmed lives, paid to decorate up day by day as if it have been Halloween.

These tensions got here to a head within the late 2010s as a brand new chief of the native Teamsters affiliate in Orlando started focusing on the costumed character performers for harassment. The character performers pushed again and the fight went up to James Hoffa, then-head of the Worldwide Brotherhood of Teamsters, who intervened.

In California, Elefante is hopeful union illustration will give performers a voice in choices about points together with the larger-than-life costumes, which might trigger long-term accidents when ill-fitted, and the protection of performing in parades throughout rain.

“It’s about having a seat at the table and being a part of the conversation from the performers’ perspective,” Elefante mentioned.